Showing posts with label Jérôme Mesnager. Show all posts
Showing posts with label Jérôme Mesnager. Show all posts

Tuesday, November 30, 2010

PARTING SHOTS by P.B.Lecron

Kicky picks from my photo library
Unless you're a grumpy person, it's sort of fun to happen onto one of the top first-generation Parisian street artist's paintings. Would you recognize works by any of these names : Jef Aérosol, Miss.Tic, Jérome Mesnager, Speedy Graphito, Mosco et Associés, and Nemo?  

Click on photos to enlarge them.
















See preceding four posts to learn more about these artists and Parisian street art.
Text & photos © 2010 P.B.Lecron

SORTING OUT STREET ART by P.B.Lecron


"To create is to resist."


How to sort out "art" from "vandalism" in the streets? Parisian street artists have reconciled themselves to a system of notifying officials and receiving authorization--to guard against legal proceedings and to avoid removal of their works. 


Since 2001 the artists' association Lézarts de la Bièvre opens up 70 studios to the public each June and invites a street artist to paint on selected walls along the studio circuit in the fifth and 13th arrondissements

Miss.Tic inaugurated the tradition and was followed the year after by Jérôme Mesnager, father of the Corps Blanc. Nemo, creator of a whimsical black stenciled shadow man in coat and hat, came next, then the two artists known as Mosko et Associés added their signature African savannah creatures.


In 2005 came Speedy Graphito, another first-generation street artist. His early works of angular lines and robot figures are reminiscent of the late Keith Haring's rollicking geometric shapes.



Each artist's work is added to the preceding one, forming visual dialogues, as in the mural below from 2006, featuring three figures of one of the most popular stencil artists, Jef Aérosol.



Because of their ephemeral nature, some of these works are still visible, others not, so that their photos today are archival. 


For more information, history and super visuals including videos and maps of five different walking circuits, see http://www.lezarts-bievre.com/ 

This post is the fourth in a series of excerpts, with minor revisions, taken from Inside Outsider Art, an article I wrote which appeared in France Today magazine.


Text & photos ©2010 P.B.Lecron

Friday, November 26, 2010

PUDDLE-HOPPING PARIS by P.B. Lecron


He's leapt and danced across decaying walls and condemned buildings since 1983. Now legendary, the naked, innocent figure known as the Corps Blanc, has puddle-hopped through Paris, then out into some 20 other countries, even scaling the Great Wall of China.

The ethereal white figure is the vintage creation of Jérôme Mesnager. Mesnager is among a handful of street artists who nearly thirty years after their clandestine graffiti debut have made their names in the art market. Whole sections of wooden fences bearing Mesnager's fetishized figure have been sold in galleries and auction houses. The medium is indeed a part of the message.





Catch me if you can

Rapidly painted freehand in some of the most unexpected places, Le Corps Blanc resembles a posable wooden mannequin come to life. The icon has withstood the test of time, despite the ephemeral nature of street art. Some disappear when buildings are razed or walls are cleaned and repainted, or when other graffiti artists cover them over. In certain neighborhoods, however, the streaking figures are sought after by property owners and have become a part of the local heritage, like the giant mural Mesnager painted high up on a building in the 20th arrondissement at 68 rue Ménilmontant.


Although a number of Corps Blancs can still be seen, especially in the Latin Quarter, Mesnager knows of only one in Paris that actually dates back to 1983. He's reluctant to say publicly where it is, for fear that taggers--the bane of any city dweller's existence--might blot it out with their own scrawling signatures. When a well-placed Corps Blanc does meet such a fate, Mesnager takes it in stride. "I usually wait until the city cleans away the tag, then I repaint."



That public authorities today distinguish between the differing forms of graffiti and leave his and other street artists' work in place is a triumph in itself for the artists. Mesnager recalls that once the city erased without notice a stencil on his own exterior wall that a top graffiti artist, Miss.Tic (pronounced mystique), had painted as a surprise for him. "I really was not pleased to lose my Miss.Tic!" he says, chuckling at the play on words.




The above text contains excerpts, with minor revisions,  from an article, Inside Outsider Art, which I wrote  based in part on a interview with Jérôme Mesnager. It originally appeared in France Today magazine and is republished with permission.



Text & photos ©2010 P.B.Lecron

For a zippy animated viewing of Le Corps Blanc, see http://mesnagerjerome.free.fr/
www.francetoday.com